Lark Eden at Theater Schmeater: Earnest, Simple, and Touching Drama
John Allis talks about Lark Eden, a simple, straightforward tale told through the letters of three southern women which is being produced now at Theater Schmeater.
BOOST Dance Festival: A Showcase of Seattle’s Diversity
Dancers face the very same challenges as theater groups. Rehearsal space, performance space, support funding and so on. But quite unlike their counterparts in the theater, dancers tend to gather together out of necessity and fix their problems from within. Marlo Martin rose to a challenge in 2010 by starting the BOOST Dance Festival.
Walk
He left all his sticks. Which he should regret because they are his life’s work, but he needed his hands free to open and close doors and be ready to ward off Antoinette if necessary, which was not necessary, and his hands are not hands that are adept at juggling. Instead of regretting his sticks, he is happy he left them.
Friend or Foe? My So-Called Enemy Humanizes the Palestinian-Israeli Conflict
My So-called Enemy is a new documentary that just played at the SJFF that explores if it is possible for teenage girls across the Israeli/Palestine divide to form lasting friendships after spending just nine days together at a camp. Not only is it possible, but also a moving scenario in its complexity.
Mabul at SJFF: Sometimes You Need a Good Flood
Dikla Tuchman talks about Mabul, the opening film at the Seattle Jewish Film Festival.
Hollow Earth Radio and Nonsequitur bring trio improvisation to the Chapel
In improvisation, duos are a sort of conversation. Big bands are something like a game of follow the leader. In a sense, improvising trios are a combination of both. They retain much of the conversational intimacy of a duo through a kind of shared leadership of conversation that rarely if ever occurs in the classic quintet format, or even in the quartet. Many things can happen in trios that would be virtually impossible in another format.
A Dumb Place
In retrospect, agreeing Mary’s suggestion had not been a particularly bright idea. And she now realized the idea was never hers in the first place. In the past three hours Brenda had gone over the sequence of events and was now fully aware of how her young charge had manipulated her into her current predicament.
At Long Last, The Seattle Fringe Theater Festival Rises From The Ashes
Announcing the return of a near forgotten Seattle Theater tradition, and José Amador couldn’t be more tickled.
Live Girls’ Emerald City: The Enchanting, Maddening Enigma That Is Seattle
José Amador took in Live Girls’ world premiere production of S.P. Miskowski’s Emerald City and found as honest an exploration of the multi-faceted way one could experience our fair city as one could find on stage or screen.
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