Taproot’s Freud’s Last Session: Philosophical Jousting In A Fictionalized Setting
The West Coast Premiere of Freud’s Last Session, Taproot Theatre’s latest production, theorizes the conversation held between C.S. Lewis and Sigmund Freud; John Allis found much to ponder in the performance.
The Working Artist: Spotlight on The Cabiri
The Cabiri unite teamwork, effort, sweat, and concentration to pursue their art and hone it to its finest. That the group are not regularly celebrated by Seattle’s performing arts pundits, much less by Seattleites at large, strikes me as a miscarriage of justice. With their emphasis on creating spectacular shows for all ages of people, The Cabiri deserve a much larger and much more faithful following
Before the rhytidectomy
Assuage their vanity with tools of
rhetoric and anything
they pay to hear; sacrifice
the flesh as a halal butcher
hangs carcasses
to a commercial god.
Sonnet for Abe
My love for you continues to this day.
With our photographs and history I stay.
Writing stories of our life together
keeps me brave: Alive, and feeling better.
Bushwick Book Club Seattle watches the Watchmen
One of the marvelous things about the Seattle arts community is its literary heart. Few environments can boast of lit-driven ensembles like Book-It Reparatory Theater and the Bushwick Book Club Seattle. Beginning in 2010, Bushwick members have taken great risk in drawing musical inspiration from written works deeply entrenched in the popular consciousness, if not the personal mythology, of its audience.
Donny’s Big Break
“Why can’t the world be unfair to me? Why do I always get exactly what I deserve?”
Comix jump on stage for some Unexpected Productions improv during ECCC
Here at the Star, we will not be formally attending ECCC, but we do want you to know about some of the local events surrounding the convention. One such exciting opportunity will be held at the Unexpected Production’s Market Theatre on Saturday night, March 31.
Stuck: the Right to Atrophy
Is the pursuit of the right to atrophy a dramatically compelling one? This is the question that continues to occur to me as I reflect on playwright Jessica Hatlo’s Stuck, up now at Washington Ensemble Theatre.
Elephant Song
On evenings filled with rain the elephants
believe my open door leads to a green stretch
of forest and trundle through.
Each concocts a song or howl of her own—
a moan of bassoon, a pitch of piccolos
and even agonies of strings to tell of elephant
tragedies coated in silt.
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