The Show Must Go On, Part 2: The Story We Tell Ourselves
I’ve signed up to do a storytelling show, though I’m not a natural storyteller. I pitched my story because being in a show sounds like fun. Because oral storytelling is a skill that I want to learn as a writer. Because I used to be a theater kid. And because as much as being in front of an audience terrifies me, I still love to perform. Then, predictably, stage fright sets in.
Keeping the Star Shining: Tip The Web
In case you’re wondering how it is we intend to keep the Star’s engine running, here is some information regarding the not-for-profit service we are using to help grease the skids.
Arrangements in Air: Navigating the World of Audio Drama
With the decline of radio and the rise of the Internet most audio drama has moved to a base not in broadcast but rather in podcast. New problems have arisen but two are especially notable. The first is an old problem in a new context: “How do I find all this stuff?” The second is a problem that arises from solving the first.
An Affair
It is as if she knew what he was thinking before he thought it; electrons are fast but not that fast. He checks the timestamps. Her reply is timestamped earlier than his original message by two minutes. The only logical explanation he can think of is she is in a slightly different time at school, that his time at home is warped and school is always two minutes ahead of home…
Seattle Public Theater’s Back Back Back
In order to review Back Back Back, a play about three baseball players who struggle with the decision to use steroids, we appropriately sent a baseball fan with some knowledge of the issues at hand. That baseball fan also happened to be Star theater critic, John Allis.
Death, Sex: Election Season
In an espoused effort to direct attention to the talents of playwrights, the nine ten-minute plays that comprise Balagan Theatre’s shorts festival, Death, Sex: Election Season, draw from one pool of eleven actors, each of whom portrays several roles in the evening. Similarly, in further textual emphasis, all shows are directed by either Shawn Belyea or Jake Groshong, reining the evening’s offerings into a shared sensibility.
Romance in the air: Simon & Kirby Comics at Fantagraphics Gallery
The implication is that “vital superheroes” are the apex of comic book writing and that romance comics are beneath contempt for any artist of Jack Kirby’s stature. More accurately, though, a return to simple reality was in the air. Romance comics were the height of American realism in comics.
The Working Artist: Spotlight on The Cabiri—Phase 2
Even those who “support” the arts often treat the making of art like an optional activity in life, something to be reserved for the gifted. It isn’t. Art is not just about being crazy, weird, incoherent, and incomprehensible while expecting money for it. Being an artist requires massive amounts of self-imposed dirty work alternating with almost palpable tedium. This is for all those who do the dirty jobs.
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