Labor Intensive: A Visit with Playwright Vincent Delaney
The consensus is clear: Not only is Delaney a unique storytelling voice, he works his ass off and he works his ass off through a method many pay lip service to but few genuinely grasp: collaboration.
an attempt not to line up all the ducks
A short poem by renown dancer and poet Christin Call.
Tradeoffs
Downstairs, he pours himself more coffee from the pot he made yesterday and heats it up in the microwave. The coffee comes out hot, thanks to microwaves. Very small waves energizing, exciting, vibrating, accelerating, colliding, rubbing molecule against molecule, creating heat. At least that’s his idea.
The Rules of Engagement: Freehold Takes King Lear on the Road
Freehold Theatre continues their summer tradition with their Engaged Theatre performance of King Lear.
Interview With Lyam White, Creator/Instigator of the UMO Ensemble’s Maldoror: The Birth of a Villain
José Amador sits down with the UMO Ensemble’s Lyam White in order to discuss the ensemble company’s latest project, an adaptation of Lautremont’s late-19th Century proto-surrealist work, Les Chants de Maldoror.
Azeotrope’s Jesus Hopped the ‘A’ Train at ACT: Solid Execution, Performance and Style; Iffy Substance
New York playwright Stephen Adly Guirgis’ star has been firmly on the rise for the last 12 years or so. His first five…
An Art Walk through Edmonds in June
You will remember the eagerness of the artists to discuss their methods. You will remember the expectant and light mood of the crowds. And you will decide to return for another Third Thursday in this northern neighbor town.
Macha Monkey’s Sweet Nothing, a (grim) fairytale at Annex Theatre
John Allis returns with an in-depth look at Macha Monkey’s latest production.
Fear of a Critical Planet: On Student Drama, Flacks, Hacks and Low Expectations
The Star‘s publisher receives a press release that sparks a thousand thoughts about the press, public relations and the actual relationship of audiences, artists and critics.
Gesamtkunstwerk’s Frozen at boom! Theater: The Case for Raw Theater
José Amador takes in Gesamtkunstwerk’s production of Frozen, which, in turn, provides a much needed argument for theater created out of a desire to create, not merely entertain.
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