Night and Day Film Noir Series Month Two: Remembering Memento
This week, the Star continues its conversation with Brandon Ryan, talking a bit about Christopher Nolan’s Memento, play a game of Noir/Not Noir, and discuss some of Ryan’s considerations regarding what films to select for the series.
American Woman Issue #1
Adventure comics from Megan & Britton Sukys.
With You
Nick Stokes continues his novel, Affair. In this excerpt: Eros visits with a guillotine.
In Loving Memory of Heather Artena Hughes, RIP
Today we mourn the passing of Heather Hughes, a young and vibrant woman, whose life came to an end early Wednesday morning, due to late-stage lung cancer one day before she would have turned 45. She is survived by her son, her fiancee, and her family.
Bardolatry and Its Discontents
Shakespeare is treated with a true idolatry–Bardolatry. Producing groups do not help when they treat audience members like sheep and imply that they need not understand Shakespeare. Theaters are there to pass down the Law. They expect that the barbarians simply arrive at the Church of Theater, convert to the cause of Bardolatry and receive William’s Holy Word like a communion wafer. Whether or not the barbarians understand transubstantiation is immaterial to the purposes of the Church.
Compulsive Talker
Pamela Hobart Carter’s latest poem, about communication, connection and isolation.
Night and Day Film Noir Series Month Two: All About Touch of Evil
The Star continues its conversation with Brandon Ryan, the curator behind Central Cinema’s Night and Day film noir series, first by defining his criteria for what makes a film noir, and then delving into the convoluted and controversial production history behind the first of September’s offerings: Orson Welles’ Touch of Evil, a film both Ryan and the Star’s José Amador consider to be one of the finest in the genre.
Wing-It Productions’ Election Show: The Show Where Everything’s Made Up and the Points Don’t Matter
As I sat in my seat and the tattered giant American flag went up as the backdrop on stage, President Obama left the stage. No, I was not amongst thousands of onlookers in Charlotte, NC, or sitting in front of my TV or computer screen. I was part of the voting public in the audience at an opening night in Seattle, WA.
September 9, 1967: “Hippie Hill” Prevails
Jeff Stevens tells the tale of Seattle’s Hippie Hill, our city’s countercultural counterpart to San Francisco’s erstwhile icon.
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