The Ghastly Impermanence: Seattle’s Radio Theater Channel Gets Bookish
The Radio Theater Channel brings out their new sister to the debutante ball: the Radio Book Channel.
Three Boxes, One Classroom: Another Argument for Food Banks
We learned this lesson in Portland from our daughter: It’s one thing to see the full boxes, to see the food that’s being given. It’s another thing to see the hunger. Tamiko Nimura gets back to basics.
Pentecost: Art as a Moral Matter
If control of language means control of thought, it is equally sensible that he who controls images controls identity. Where America and Europe often treat art as commodity or mere “self-expression,” the meaning of art runs quite a bit deeper in this play by David Edgar, given a fine production by the UW School of Drama.
Fado Comes to Seattle: Ana Moura visits Meany Hall Saturday
Ana Moura brings the newly revived spirit of fado to Seattle audiences.
Black Grace: Lollipops and the Symphony
Of lollipops and symphonies: Black Grace perform brilliantly in their new work.
Gender Rocked: A Conversation With The Women Behind These Streets
By the time of this writing, it would be pretty remarkable if you haven’t heard about Sarah Rudinoff and Gretta Harley’s These Streets, the creative duo’s new rock music theatrical experience that is opening at ACT.The scale of their promotional effort is as impressive as everything else about the project. This is due, in no small part, to the women behind the project, with whom The Seattle Star’s José Amador had an opportunity to have a discussion.
Will Have Been
Moral temporality and temporal morality in this latest fiction from Nick Stokes.
Michelle Witt’s UW World Series: Looking Backward, Looking Forward
Thoughts about the UW World Series so far under new leader Michelle Witt.
Borrow Cupid’s Wings
It was the year 2063 and romance was dead.
Advertisers had killed it…
What It Means to Mean: Anna Karenina at Book-It
Directors are responsible for choosing an interpretation about what the play means and removing obstacles so that the actors can do their work. Particularly in text-based classic theater, the director must make a convincing argument what this play means and, to some degree, why it is being done at all. Book-It’s Anna Karenina fails to convince because it fails to argue.

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