The Presumption of Familiarity Breeds Contempt
Back to polemics, Omar Willey muses on the absence of classics.
Not All Who Are Lost Wander: On the Verge
Thoughts on the UW UTS production of Eric Overmyer’s play.
Holy Roughness: The Glas Nocturne
An overture of thoughts on Akropolis Performance Lab’s The Glas Nocturne.
La isla no tiene nada para nadie: José Amador talks about El Hijo Prodigo
And several butchers’ aprons.
Lizard Boy: Hand on the Glue Gun
Wes K. Andrews feels out the latest musical at the Rep.
An Interview with the Creative Nucleus Behind Fail Better
Jose Amador interviews the creative crew behind UMO’s Fail Better.
The Most Deserving at Theater Schmeater
Theater and stuff and art and things on the fishy side of Otto S. Fishbein.
Lizard Boy: Totally Righteous Pizza Nerd Godhead, Dude
One must resort to extreme measures to capture the extraordinary intricacies of subtlety and text and stuff in Justin Huertas’s latest playcomicmusical thingie.
We Are Proud to Present a Presentation About Race That Doesn’t Insult Your Intelligence
Omar Willey talks about race and stuff in Pony World’s latest presentation.
Two Types of Mystery: NINE and The Long Road
More theatrical musings from our publisher, this time about Arouet’s production of two contrasting one-act plays.
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