A Three-Course Brecht Feast; an Interview with The Horse in Motion’s Bobbin Ramsey
José Amador sits down with The Horse in Motion’s Bobbin Ramsey to discuss her company’s coming production of BRECHTFEST at the Can Can.
On Avoiding Artistic Integrity For Commercial Success
The ensuing commentary was originally intended to be the introduction to our review of Brandon Simmons’ IS SHE DEAD YET?
Is She Dead Yet? at Annex Theater (dir. Brandon J Simmons)
José Amador on the controversial comedy taking place at Annex Theatre.
In the Absence of the Feminine: Dance Like a Man
Omar Willey disserts on Pratidhwani’s production of Mahesh Dattani’s highly-respected play.
The Drama is Unbecoming Now: Six Characters in Search of an Author
Omar Willey muses on Seattle Theatre Works’ production of the Pirandello classic.
Hypnogogia, Community and the Night: The Cabiri’s Ezid
Thoughts on the Cabiri’s production of Ezid and contemporary mythmaking.
Big Choices, Fake Storefronts: Seattle Musical Theatre’s 1776
What if Seattle’s theater community is actually a Potemkin village? Omar Willey muses on Seattle Musical Theatre’s latest production.
Of Gods, Angels, Demons, and Giants: The Cabiri Open Ezid at Cornish Playhouse
Omar Willey gives a short preview of The Cabiri’s second part of their magnum opus, Ezid.
The Presumption of Familiarity Breeds Contempt
Back to polemics, Omar Willey muses on the absence of classics.
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