Lark Eden at Theater Schmeater: Earnest, Simple, and Touching Drama
John Allis talks about Lark Eden, a simple, straightforward tale told through the letters of three southern women which is being produced now at Theater Schmeater.
BOOST Dance Festival: A Showcase of Seattle’s Diversity
Dancers face the very same challenges as theater groups. Rehearsal space, performance space, support funding and so on. But quite unlike their counterparts in the theater, dancers tend to gather together out of necessity and fix their problems from within. Marlo Martin rose to a challenge in 2010 by starting the BOOST Dance Festival.
At Long Last, The Seattle Fringe Theater Festival Rises From The Ashes
Announcing the return of a near forgotten Seattle Theater tradition, and José Amador couldn’t be more tickled.
Live Girls’ Emerald City: The Enchanting, Maddening Enigma That Is Seattle
José Amador took in Live Girls’ world premiere production of S.P. Miskowski’s Emerald City and found as honest an exploration of the multi-faceted way one could experience our fair city as one could find on stage or screen.
Seattle Children’s A Single Shard: A Mature and Sweeping Epic for Kids
John Allis takes in the adaptation of A Single Shard, the award winning book for children currently in production at Seattle Children’s Theater.
Seventeenth Annual Jewish Film Festival Coming to a Theater Near You
On Thursday, March 15, the Cinerama Theater will be opening its doors once again to a flood of anxious film festival attendees, kicking off the 17th Annual Seattle Jewish Film Festival (SJFF). Presented by the American Jewish Committee, the SJFF is the largest Seattle film festival after the Seattle International Film Festival (SIFF), hosting 29 films from all over the world. Throughout the 10-day festival, audiences will screen films dealing with portrayals of Jewish and Israeli life. Festival screenings and events are scheduled for the Cinerama, AMC Pacific Place, and SIFF Uptown theaters.
Look Out for Meat and Potatoes at The Lookout!
Kelly Dermody discovers that nothing goes better with protein and carbohydrates than a heaping helping of comedy.
Ghost Light Theatricals’ Freak Storm
Playwright Don Fleming has put a very Washingtonian spin on Shakespeare’s The Tempest. Setting his adaptation, Freak Storm, in the Cascade mountains, replacing Caliban with Sesquath (yes, like ‘Sasquatch’), and exploring modern concerns for issues of environmental sustainability and stewardship of nature, the dramatist has taken a number of liberties in regionalizing and reframing the famous story while, for the most part, preserving the dramatic framework of the source material.
In the Land of Make/Believe: tEEth Bring Their Magic to On the Boards
Using the barest of elements in extraordinary combinations, Make/Believe produces visually and sonically striking imagery that grows and grows in intricacy, the way that music grows from the simplicity of a heartbeat, or language itself grows from scratches and dots on a Sumerian jar. Make/Believe is a succession of gorgeous images revolving around the idea of what it means to communicate, not only with others but also with oneself–or what one takes oneself to be.
Yeah, It’s Me; But It’s Also You, Seattle: An Interview with Emerald City‘s S.P. Miskowski
José Amador talks with S.P. Miskowski, the playwright responsible for the upcoming Emerald City, which receives its World Premiere production at Fremont’s West of Lenin.
Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution 4.0 International License.