Past to Present: The Trey McIntyre Project Mixes It Up at UW World Series
The three pieces Trey McIntyre chose to show Seattle last week come from rather different phases of the group’s existence. Unlike his last Seattle program, which featured numerous physical props, this program featured more purely physical dance yet with an exceptional diversity of style.
The BOOST Dance Festival: Representing Seattle
A look back at the BOOST dance festival 2013.
Punchline Comedy Doubles Its Comedy
Tom Mohrman talks with the minds behind Punchline Comedy and their latest ambitions.
Everyone’s a Critic–Except When They’re Not, Part Two
More thoughts on Culturebot’s Everyone’s a Critic evening.
Everyone’s a Critic–Except When They’re Not, Part One
Thoughts on Culturebot’s presentation at On the Boards: not quite the horizontal approach at its most refined.
Cyrano: The Rough and the Ready
Omar Willey reviews the University of Washington UTS production of Edmond Rostand’s play of great renown, and finds much joy in this student production.
Pentecost: Art as a Moral Matter
If control of language means control of thought, it is equally sensible that he who controls images controls identity. Where America and Europe often treat art as commodity or mere “self-expression,” the meaning of art runs quite a bit deeper in this play by David Edgar, given a fine production by the UW School of Drama.
Black Grace: Lollipops and the Symphony
Of lollipops and symphonies: Black Grace perform brilliantly in their new work.
Gender Rocked: A Conversation With The Women Behind These Streets
By the time of this writing, it would be pretty remarkable if you haven’t heard about Sarah Rudinoff and Gretta Harley’s These Streets, the creative duo’s new rock music theatrical experience that is opening at ACT.The scale of their promotional effort is as impressive as everything else about the project. This is due, in no small part, to the women behind the project, with whom The Seattle Star’s José Amador had an opportunity to have a discussion.
Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution 4.0 International License.