Future Present: DASS Dance’s Lights Camera ACTION
Some thoughts about DASS Dance’s Lights Camera ACTION.
The Tao of Amy O’Neal: Opposing Forces
A rumination on Amy O’Neal’s dance at On the Boards.
Neighborhood 3: Requisition of Doom and the Broadly Thin Line
Thoughts on horror, morality, tone, and perspective, courtesy of the UW UTS’s Halloween production.
Internal and External: modus operandi‘s modi operandi
An evening of two contrasting halves and two contrasting choreographers, yet all on similar themes. Omar Willey writes.
Karin Stevens + Samantha Boshnack = Mystery
The interplay of jazz and dance breeds
Bacchanal Burlesque: Burlesco DiVino
Some thoughts about Lily Verlaine and Jasper McCann’s strain of neo-burlesque, recently espied at The Triple Door.
Psst, The Seattle Fringe Theater Festival Is Here Again
José Amador takes a look at the recently revived Seattle Fringe Theater Festival, now in its third year, muses on what the Fest needs to further thrive and previews a handful of shows.
Go To The Seattle Fringe, Please!
Aimée Bruneau’s impassioned plea to artists and audiences alike to attend the 2014 Seattle Fringe Theater Festival.
No Damn Picture is Worth It: Time Stands Still
Omar Willey thinks about photojournalism and the bourgeois life, via Donald Margulies’ play.
This Week in Performance: Week of July 25, 2014
The summertime productions do not stop rolling in, despite all of the recent controversy surrounding local productions, in particular, the Dance scene comes on strong this week after a seemingly quiet interlude. José Amador leads you through the numerous offerings.
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