Artist, Suffering and Insufferable: Blood Water Paint
Thoughts on Joy McCullough-Carranza’s Blood Water Paint.
Paul Mesner’s Pulcinella: Anarchy in a Coppolone
Some thoughts on an old, old tradition. By Omar Willey
Split-Level Head: Cineastas
Omar Willey considers the levels of fiction in Mariano Pensotti’s latest production.
The Joys of Not Being Patronized: Paul Mesner’s The Dinosaur Show
What you can do in children’s theater shows what is wrong with adults. Omar Willey writes.
With Conviction: Yellow Face
Thoughts on the UW UTS production of Yellow Face.
Proto-Absurdity: The Lower Depths
Omar Willey reviews Theatre Machine’s production of The Lower Depths and stuff.
In Search of the Superfluous Woman: The Three Sisters
The tradition of the superfluous man in Russian literature is a source of much discussion. But what about the superfluous woman? Omar Willey writes.
A Complementary Opinion
Thoughts on comp tickets and the new economy of controlled speech.
The Crawling Creator Crawling in the Same
Thoughts on UMO Ensemble’s attempts to Fail Better.
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