If You’re Born on an Island, The Ocean Heals You: Jacob Jonas The Company’s Crash and Other Works
Omar Willey travels to exotic Edmonds for his first dance review since quarantine.
For Nietzsche, Life’s Ultimate Question Was: “Does it Dance?”
Kimerer LaMothe on Nietzsche and his passion for meaning through dance.
Gender Tender’s Melted Riot at Velocity
Observations and ruminations on Gender Tender’s Melted Riot, a meditation on the cultural flotsam and impact of the Stonewall Inn Riots on their 50th anniversary.
The Dancing Species: How Moving Together in Time Helps Make Us Human
Humans dance so that they may grow fully into being human. Kimerer LaMothe writes.
Sanctuary for Black Bodies: Dani Tirrell’s Black Bois at On the Boards
José Amador returns to talk about Dani Tirrell’s BLACK BOIS, an evening length dance program that is having its premiere at On the Boards this weekend.
A Night of Rhythmic Underdogs: Kim Lusk’s A Dance for Dark Horses
All about Kim Lusk and her A Dance for Dark Horses, a new dance having its world premiere Velocity Dance Center,
Paige Barnes on the Beat: #ShanghaiPulse
Omar Willey gives a preview of Paige Barnes’ latest dance+film work at the Northwest Film Forum.
Transit of Metis
Omar Willey goes to the theater to watch a story about Greek mythology that isn’t a play. Thoughts on Natascha Greenwalt’s evening of dance.
Not a Critique of Record of the Anthropocene Movement
Pam Carter offers an attempt to save the world in her non-review of Karin Stevens Dance’s Record of the Anthropocene Movement.
SHOT: Scenes from the Bully Pulpit
Thoughts on didacticism and audience via Donald Byrd’s latest Spectrum Dance Theater piece at the Rep.
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