The Ghastly Impermanence: Assumption of Risk
Why have a column about radio drama? Omar Willey answers.
The Ghastly Impermanence: 2013 Parsec Awards
Announcing your 2013 Parsec Award Winners celebrating sci-fi and speculative fiction broadcasting in audio and video.
The Ghastly Impermanence: Harmless Visions
Thoughts on the BBC Radio Four sci-fi series from June.
Sandbox Confidential: Sandbox Radio LIVE director Leslie Law drafts a blueprint for the future of audio theater
Cole Hornaday interviews the lovely and brilliant Leslie Law and gets the scoop on the future of Sandbox Radio LIVE.
The Ghastly Impermanence: Hit Something Big
Moving radio drama into the future requires a crash and burn ethos. Omar Willey explains for you.
The Ghastly Impermanence: An Interview with Katie Hims
An interview with award-winning radio playwright Katie Hims.
The Ghastly Impermanence: The Politics of Perspective in Dan Rebellato’s Syria
Audiences do not need more simplification of issues in the world, they need easier access to those issues–and better guides through them. Dan Rebellato’s Negative Signs of Progress offers an example how to do topical radio drama right.
The Ghastly Impermanence: An Interview with Sebastian Bączkiewicz
Sebastian Bączkiewicz is one of England’s leading radio playwrights. Recently recipient of the Silver Award at the Prix Europa, his work reveals his deep concerns with folklore and mythology, and how it all influences the modern, rational world. Omar Willey caught up with him for this interview.
The Ghastly Impermanence: Post-Serialism
If one believes the recent article in The Atlantic Magazine, serials are on the rise again in both television and literature. Whatever the reasons for their current fashion, what lies behind the trendiness of the serial is a much darker matter.
The Ghastly Impermanence: Seattle’s Radio Theater Channel Gets Bookish
The Radio Theater Channel brings out their new sister to the debutante ball: the Radio Book Channel.
Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution 4.0 International License.