The Ghastly Impermanence: Poets and the Poetry of Radio Drama
It makes perfect sense that a culture whose most powerful public mass medium was radio should value the spoken word highly. Poets themselves were well aware of this quality of radio. It would take awhile, however, before poets began to write especially for the medium itself.
The Ghastly Impermanence: Exploring Radio Drama
A new regular column by Omar Willey dealing with broadcast and audio drama in all its aspects.
The Obstacle of Technique
Two great obstacles to a wider appreciation of audio drama face new listeners at every turn. The first is the lack of a real critical history. The greater obstacle, however, is not what has not been written but rather what has.
Night and Day Film Noir Series Month Three: Billy Wilder’s Double Indemnity
This week, Ryan turns the table on the Star’s José Amador, discuss the lesser known movies that are coming up on the program, briefly touch on the influence of European films on the Noir genre, and talk about Billy Wilder’s notable characteristics on the way to discussing this month’s Classic noir: Double Indemnity.
Radio Drama: Beyond Nostalgia and Nerddom
Just as everything bad about Hollywood was bad about Broadway before it, everything bad about television was bad about radio. Virtually every generic trope of television stems from American broadcast having its roots in radio. But where television has run these genres into the ground, it has at least attempted variations on the themes. By comparison, contemporary audio drama is positively hidebound.
Canapes and Cherryhs with Sable: Seattle’s Sable Jak Talks About Her Upcoming Foreigner Audio Drama Series
Omar Willey sits down with Sable Jak to discuss her upcoming audio drama series based on the Foreigner novels of C.J. Cherryh.
Author C.J. Cherryh Brings Her Foreigner Series to Audio, with Sable Jak at the Helm
Audio Cinema Entertainment has obtained the rights to produce a full-cast audio version of the first three books of Hugo Award-winning author C.J. Cherryh’s science fiction series, Foreigner Universe. And they have chosen Seattle.
Night and Day Film Noir Series Month Two: Remembering Memento
This week, the Star continues its conversation with Brandon Ryan, talking a bit about Christopher Nolan’s Memento, play a game of Noir/Not Noir, and discuss some of Ryan’s considerations regarding what films to select for the series.
Night and Day Film Noir Series Month Two: All About Touch of Evil
The Star continues its conversation with Brandon Ryan, the curator behind Central Cinema’s Night and Day film noir series, first by defining his criteria for what makes a film noir, and then delving into the convoluted and controversial production history behind the first of September’s offerings: Orson Welles’ Touch of Evil, a film both Ryan and the Star’s José Amador consider to be one of the finest in the genre.
The Push Arts New Media Festival: A Recap
On the eve of August 24th, the Push Arts New Media Festival reigned over the South Lake Union neighborhood in a night filled with free art installations, free food and drink, panel discussions, music and live performances–and glow sticks.
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