Big Joy: The Legacy of James Broughton
An interview with the makers of Big Joy, the new documentary about legendary filmmaker and poet James Broughton.
Her Aim is True: A documentary about Seattle proto-punk photographer Jini Dellaccio
Andrew Hamlin sits down with Karen Whitehead to talk about her documentary on Jini Dellaccio.
Wonder Women! The Untold Story of American Superheroines: Some Impressions
A personal rumination on the movie and its relation to geek culture.
The Ghastly Impermanence: An Interview with Katie Hims
An interview with award-winning radio playwright Katie Hims.
STIFF Consolidates Itself for Another Year of Independent Cinema
The Seattle True Independent Film Festival returns for another year with new digs and new films.
The Ghastly Impermanence: The Politics of Perspective in Dan Rebellato’s Syria
Audiences do not need more simplification of issues in the world, they need easier access to those issues–and better guides through them. Dan Rebellato’s Negative Signs of Progress offers an example how to do topical radio drama right.
The Ghastly Impermanence: An Interview with Sebastian Bączkiewicz
Sebastian Bączkiewicz is one of England’s leading radio playwrights. Recently recipient of the Silver Award at the Prix Europa, his work reveals his deep concerns with folklore and mythology, and how it all influences the modern, rational world. Omar Willey caught up with him for this interview.
The Ghastly Impermanence: Post-Serialism
If one believes the recent article in The Atlantic Magazine, serials are on the rise again in both television and literature. Whatever the reasons for their current fashion, what lies behind the trendiness of the serial is a much darker matter.
The Ghastly Impermanence: Seattle’s Radio Theater Channel Gets Bookish
The Radio Theater Channel brings out their new sister to the debutante ball: the Radio Book Channel.
Night and Day Film Noir Series February 2013: Alexander Mackendrick’s The Sweet Smell of Success
In this entry, Ryan and the Star’s José Amador discuss Sweet Smell of Success, the diverse nature of Tony Curtis’ career and personal life, Burt Lancaster’s artistic instincts, the role the HUAC had in the development of Film Noir, and, somehow, the lyrics to Chuck Berry’s “Johnny B Goode.”
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