Interleavings: Serendipity and the Auto/Biographical Process
Edith Buxbaum: she also liked to cook.
When is Tomorrow?
An episode at the beach, courtesy of Nick Stokes.
Verbalists Presents: A Seattle Star Audio Recording
If you haven’t heard of Verbalists–now is your chance. This audio recording, co-sponsored by The Seattle Star, will introduce you to one of Seattle’s premier storytelling events.
Short Run Small Press Fest Returns This Weekend
In spite of Seattle’s legendary status as a haven for alternative comix and cartoonists, the city has lacked a book fair or arts event to pull together all its talented people. Finally, the Short Run Small Press Fest has come along to fill that gap, and fill it well.
The Ghastly Impermanence: Poets and the Poetry of Radio Drama
It makes perfect sense that a culture whose most powerful public mass medium was radio should value the spoken word highly. Poets themselves were well aware of this quality of radio. It would take awhile, however, before poets began to write especially for the medium itself.
Interleavings: Serendipity and the Auto/Biographical Process
I found Dr. Remick’s name in a Little School folder. What was it doing there? It turns out that at the same time Dr. Remick was an affirmative action officer and attended that Women’s Studies meeting, she was the parent of a Little School pupil when it was in the Bellevue facility.
The Finest Work Songs: Alan Lau and Susie Kozawa
On October 18th, Alan Lau and Susie Kozawa (longtime collaborators and working artists) will be revisiting a piece that they originally presented at the Seattle Art Museum in 1996. Lau’s part, initially a response to the Seattle Art Museum’s exhibit “In The American Grain,” will provide a reading poetry as well as words from four modernist American artists, while Kozawa will respond to Lau’s poetry as well as the space itself. Over e-mail, I asked the two to talk about their experiences with artistic collaboration, their experience with this piece, and with each other.
The Obstacle of Technique
Two great obstacles to a wider appreciation of audio drama face new listeners at every turn. The first is the lack of a real critical history. The greater obstacle, however, is not what has not been written but rather what has.
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