Interleavings: Serendipity and the Auto/Biographical Process
I found Dr. Remick’s name in a Little School folder. What was it doing there? It turns out that at the same time Dr. Remick was an affirmative action officer and attended that Women’s Studies meeting, she was the parent of a Little School pupil when it was in the Bellevue facility.
Hi
Continuing the Affair, Nick Stokes enters another chapter.
The Finest Work Songs: Alan Lau and Susie Kozawa
On October 18th, Alan Lau and Susie Kozawa (longtime collaborators and working artists) will be revisiting a piece that they originally presented at the Seattle Art Museum in 1996. Lau’s part, initially a response to the Seattle Art Museum’s exhibit “In The American Grain,” will provide a reading poetry as well as words from four modernist American artists, while Kozawa will respond to Lau’s poetry as well as the space itself. Over e-mail, I asked the two to talk about their experiences with artistic collaboration, their experience with this piece, and with each other.
The Obstacle of Technique
Two great obstacles to a wider appreciation of audio drama face new listeners at every turn. The first is the lack of a real critical history. The greater obstacle, however, is not what has not been written but rather what has.
Priscilla Stuckey Kisses Foxes
Though Stuckey has always been a nature lover, the point in the book where everything seems to truly begin is when she first sees a bald eagle on Lopez Island, at an especially dark period in her life. After searching fruitlessly for days, right as she’s about to leave the island the eagle seems to sense her need and comes right to her—circling her car, seemingly responding to her call. From this point forth Stuckey’s focus shifts to direct and personal communication with nature.
may my mind one day
New poetry from Pamela Hobart Carter
Muscle Memory
A masseuse has an interesting brush with an uncanny client. Poetry by Omar Willey
Interleavings: Serendipity and the Auto/Biographical Process
Biographical and autobiographical writing entwine. Why did I choose to write about a woman I never met and had no ties to—except for my interest in Jewish women’s history and the field of Psychoanalysis? Immediately the writer’s self is injected into the story. Sometimes Dr. Buxbaum turns up in my dreams, and in the morning I have to sort out the dream so it won’t get mixed up with biography.
All Things Return to the Shari’s Parking Lot
The yin of the yang: Graham Isaac revisits the theme of return in his latest poem for the Seattle Star.
All Things Return to the Safeway Parking Lot
Poetry by Graham Isaac.
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