Seattle's journal of culture and politics.
Seattle's journal of culture and politics.
From the kitchen of Inga Muscio comes the miscegenation of tuna, dolphins and hale fucken kale salad. The offspring are neither animal, vegetable or mineral, yet still worthy of contemplation.
Biographical and autobiographical writing entwine. Why did I choose to write about a woman I never met and had no ties to—except for my interest in Jewish women’s history and the field of Psychoanalysis? Immediately the writer’s self is injected into the story. Sometimes Dr. Buxbaum turns up in my dreams, and in the morning I have to sort out the dream so it won’t get mixed up with biography.
Welcome to the inaugural edition of “Dear Wizard.” This is an intuitive advice column. It’s not an etiquette column, it’s not an ethics column, it’s not an advice column about the practical logistics of things. It’s a column where you bring me your most tender, sticky dilemmas, and I help illuminate the energetic patterns that are running that affect the situation.
When Chinese Premier Zhou Enlai was asked for his assessment of the French Revolution of 1789, he famously responded “it is too soon to tell.” American political commentators examining the first anniversary of Occupy Wall Street have not been so circumspect, but then again, few in the media had any grasp of the movement to begin with.
What would The Ave be without its authentic desolation angels?
Omar Willey sits down with Sable Jak to discuss her upcoming audio drama series based on the Foreigner novels of C.J. Cherryh.
The Theatre Puget Sound proposal to assume management of the recently-vacated Seattle Center Playhouse simply did not measure up to the Cornish proposal. A look at why it did not succeed might be helpful for anyone who poses a future such venture with another similar space in the future.
Today we mourn the passing of Heather Hughes, a young and vibrant woman, whose life came to an end early Wednesday morning, due to late-stage lung cancer one day before she would have turned 45. She is survived by her son, her fiancee, and her family.
Shakespeare is treated with a true idolatry–Bardolatry. Producing groups do not help when they treat audience members like sheep and imply that they need not understand Shakespeare. Theaters are there to pass down the Law. They expect that the barbarians simply arrive at the Church of Theater, convert to the cause of Bardolatry and receive William’s Holy Word like a communion wafer. Whether or not the barbarians understand transubstantiation is immaterial to the purposes of the Church.
Jeff Stevens tells the tale of Seattle’s Hippie Hill, our city’s countercultural counterpart to San Francisco’s erstwhile icon.
