Of No-No Boy and No-No Boys: At the Seattle 2013 JANM Conference
Tamiko Nimura goes in search of the story of her story of the story of Japanese Americans, past, present and future.
For a sister getting married: senbazuru (1000 cranes)
What do you give the beloved little sister who’s getting married, the one who’s been with her love for so long? What do you give the sister whose art is so gorgeous and so brave that you can’t believe she’s your sister? You give her a thousand cranes, senbazuru…
The Finest Work Songs: Gabrielle Nomura and the Relay Dance Collective
Tamiko Nimura catches up with the Relay Dance Collective and talks about their “Paradigm Shift” in the dance and hip-hop community.
Three Boxes, One Classroom: Another Argument for Food Banks
We learned this lesson in Portland from our daughter: It’s one thing to see the full boxes, to see the food that’s being given. It’s another thing to see the hunger. Tamiko Nimura gets back to basics.
The Finest Work Songs: Jürg Koch and Stravinsky’s Rite of Spring
In the middle of an intense and challenging tech week, Koch was kind enough to provide some insights on collaboration in dance, choreography, and his version of Rite of Spring, which promises to be exciting on a number of levels.
Welcoming the Return of the Light: Unsilent Night 2012
According to the “Unsilent Night” website, Phil Kline composed the piece in 1992, originally as a one-time way to bring back the experience of caroling and combine it “with his love of experimental music.” Because he was working with boomboxes, he wrote the piece to last 45 minutes, or the length of one side of a cassette tape.
The Finest Work Songs: Alan Lau and Susie Kozawa
On October 18th, Alan Lau and Susie Kozawa (longtime collaborators and working artists) will be revisiting a piece that they originally presented at the Seattle Art Museum in 1996. Lau’s part, initially a response to the Seattle Art Museum’s exhibit “In The American Grain,” will provide a reading poetry as well as words from four modernist American artists, while Kozawa will respond to Lau’s poetry as well as the space itself. Over e-mail, I asked the two to talk about their experiences with artistic collaboration, their experience with this piece, and with each other.
The Finest Work Songs: A Tour of Seattle Artists Working Together
From these questions and these spaces, I wanted to start something a little different: a series highlighting collaborations among Seattle-area artists. I want to break down the myth of the solitary artist. I want to find out more about artistic collaboration: the rewards, the challenges, and the logistics. I want to get to know the practitioners, the people who are doing collaborative work, not just the people who talk about collaborative work. I want to see the contours of how Seattle artists work together. I want to see how that might inspire other artists within and outside Seattle.
Life, Death, Computers, Books, Baseball: Seattle Star Interviews Novelist Laurie Frankel
Tamiko Nimura interviews novelist Laurie Frankel about her new book, Goodbye For Now, a speculative novel about technology, death and dying, human foibles and acceptance. And model airplanes.
Why Ichiro’s Departure Makes This Nikkei Girl Sad
Ichiro’s image was linked in my mind with my father, my cousins and uncles, the members of my Japanese American family who love baseball. Ichiro is Japanese, not Japanese American, but seeing him at the plate reminded me of those Ansel Adams pictures, taken of Japanese American players during World War II, behind barbed wire. Ichiro was a Japanese man, succeeding wildly at an all-American pastime.
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