Fear of a Critical Planet: On Student Drama, Flacks, Hacks and Low Expectations
The Star‘s publisher receives a press release that sparks a thousand thoughts about the press, public relations and the actual relationship of audiences, artists and critics.
The problems of a Morning Serial
What is true of reading printed comics is equally true of reading comics on the Internet, with the added difficulty that stems from the distractions endemic to reading at a computer. How much more difficult then for a curator to attempt to translate the experience of reading webcomics to a museum gallery. Morning Serial shows how difficult it is.
Gary Hill’s Glossodelic Attractors
Even among my friends and associates who tend to consider themselves more cultured than most, very few have heard of Gary Hill. Behind this lack of knowledge, I suspect, is the typical disdain with which Seattle often treats its own artists, preferring to fantasize that nothing good ever happens here and the real world is always somewhere else, probably New York.
The Seattle Community Network Revives Their Commitment to the Future
It’s 1993. Unless you are locked regularly in the basements of university computer science departments, you have never heard of the World Wide Web. If you have a computer at all, your computer runs at a maximum of 100 mHz and may have 4MB of memory, unless you can spare an extra thousand dollars in which case you may have 8MB–if your computer can actually accept it, since upgrades are impossible in many models.
From the publisher
I aim with The Seattle Star to use my pages to help rebuild our community, to use our knowledge and our limited power to bring artists together and to bring people together with artists. So far we have done this quietly, by publishing poetry, drama, radio plays and fiction alongside our essay writing. We will continue to do so, but rest assured we will expand this mission visibly over the next year.
Inventions of Memory: Trimpin and the Gurs Zyklus Arrive On the Boards
Some people have called it an opera, some have called it a sound sculpture, some have called it musical theater, some have called it theatrical music. Whatever one chooses to label it, The Gurs Zyklus is most certainly a work by Trimpin and one that continues his exploration of sound and how sound itself tells a story.
ArtsCorps Student Showcase: Watering the Grassroots
Virtually every good citizen is aware of the massive cuts made to arts funding and arts education on a national scale over the past twenty years. Fewer people, however, are aware of the immense disparity between the haves and the have nots when it comes to the education their children receive in the arts. For that reason, programs like ArtsCorps have always been of utmost importance to me.
The Minister of Chance: Serial Telling
Those who know me also know I crusade regularly against bad science fiction in popular culture. They also know that I am not a Doctor Who fan by any stretch of the imagination. Probably, then, there will be some surprise in the ranks that I have only glowing things to say about the new audio drama, The Minister of Chance.
Rouge: The idée fixe
Performance art is not generally known for its sense of humor. For the past thirty years or so it has been tied down quite often to outrage and outrageousness, particularly concerning sex. However there is certainly another thread of performance art that draws upon absurd humor. Julie Andrée T. most certainly belongs to the latter group of artists who value wit and humor over political earnestness.
The Working Artist Series with The Cabiri: Educating the audience
How does one get into aerial arts, anyway? It is no secret that one of the great problems of the performing arts is creating continuity. Not only continuity of style, and not only continuity of tradition, but also continuity of knowledge among practitioners as well as among audiences. For quite sometime in Seattle it has been fashionable among theater artists to talk about educating their audiences. The goal is noble but difficult.
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