From the Publisher: A New Look for The Seattle Star and a New Phase
A new look for The Seattle Star, and a reaffirmation of our commitment to a pay-what-you-will system for the magazine.
The BOOST Dance Festival: Representing Seattle
A look back at the BOOST dance festival 2013.
Everyone’s a Critic–Except When They’re Not, Part Two
More thoughts on Culturebot’s Everyone’s a Critic evening.
The Ghastly Impermanence: An Interview with Sebastian Bączkiewicz
Sebastian Bączkiewicz is one of England’s leading radio playwrights. Recently recipient of the Silver Award at the Prix Europa, his work reveals his deep concerns with folklore and mythology, and how it all influences the modern, rational world. Omar Willey caught up with him for this interview.
Everyone’s a Critic–Except When They’re Not, Part One
Thoughts on Culturebot’s presentation at On the Boards: not quite the horizontal approach at its most refined.
The Ghastly Impermanence: Post-Serialism
If one believes the recent article in The Atlantic Magazine, serials are on the rise again in both television and literature. Whatever the reasons for their current fashion, what lies behind the trendiness of the serial is a much darker matter.
Cyrano: The Rough and the Ready
Omar Willey reviews the University of Washington UTS production of Edmond Rostand’s play of great renown, and finds much joy in this student production.
The Ghastly Impermanence: Seattle’s Radio Theater Channel Gets Bookish
The Radio Theater Channel brings out their new sister to the debutante ball: the Radio Book Channel.
Pentecost: Art as a Moral Matter
If control of language means control of thought, it is equally sensible that he who controls images controls identity. Where America and Europe often treat art as commodity or mere “self-expression,” the meaning of art runs quite a bit deeper in this play by David Edgar, given a fine production by the UW School of Drama.
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