The Ghastly Impermanence: An Interview with Katie Hims
An interview with award-winning radio playwright Katie Hims.
“History is the Thing that hurts”: In Memoriam Herbert Blau
Herbert Blau died on his birthday last week. This is tribute to a man who was my idol, my mentor, and, finally but most importantly, my friend.
STIFF Consolidates Itself for Another Year of Independent Cinema
The Seattle True Independent Film Festival returns for another year with new digs and new films.
Evan Smith: The Range of the Saxophonist
Evan Smith is one of the bright lights in Seattle’s new music and jazz scene. Omar Willey writes some thoughts on his performances at IMPfest and recently at The Box is Empty concert at the Good Shepherd Center in Wallingford.
The 5th Annual IMP Fest bows tonight in the U District
The Improvised Music Project bring IMPfest back to Seattle for its fifth year. This year: a new venue, and new guests.
Once Upon a Time 6x in the West: Playfully Experimental
Director Jeffrey Fracé and his talented young cast explore the history of experimental theater in this excellent production.
Seattle Photographer Detained by Homeland Security
Homeland Security detain a photographer at 1st & Cherry, apparently for photographing the Federal Building.
The Ghastly Impermanence: The Politics of Perspective in Dan Rebellato’s Syria
Audiences do not need more simplification of issues in the world, they need easier access to those issues–and better guides through them. Dan Rebellato’s Negative Signs of Progress offers an example how to do topical radio drama right.
Past to Present: The Trey McIntyre Project Mixes It Up at UW World Series
The three pieces Trey McIntyre chose to show Seattle last week come from rather different phases of the group’s existence. Unlike his last Seattle program, which featured numerous physical props, this program featured more purely physical dance yet with an exceptional diversity of style.
Sobel v. Eggleston: Color Me Amused
Collector Jonathan Sobel appreciates William Eggleston’s photographs. He must: he owns at least one hundred ninety of Eggleston’s prints. So it came as a bit of surprise when Mr. Sobel decided to sue Mr. Eggleston and his trust last year.
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