The Seagull Project: A Method to the Madness
The production is three-quarters pure genius and one-quarter excellence. One can hardly complain about that mixture. The whole production gives me an optimism about the stage that maybe other companies will finally try to make a break from the petrifying effects of “seasons” and “shows” and rediscover what the San Francisco Actors Workshop under Herbert Blau and Jules Irving knew back in the 1950s: the play is the thing, and it is ready when it is ready.
Dog Jokes
Pam Carter returns to canine imperatives, humor being the spice of a dog’s life.
Crave More and the In-Between
Whim W’him’s Crave More is a program of four dances with quite different thematic approaches. Overall the program is strong, but I have some reservations.
Free Radicals: A Personal Avant-Garde
I went into Pip Chodorov’s Free Radicals: A History of Experimental Film with reserved judgment. What I found while watching the film was that it is a film of incredibly narrow range.
The 2012 Gypsy Awards Announce Their Winning Contestants
Another day, another award ceremony. The Seattle Theater Writers Critics’ Circle reveal their winners’ slate for the second annual Gypsy Rose Lee Awards.
January 26, 1969: The Assassination of Edwin T. Pratt
The surge of assassinations of leaders of the civil rights and black liberation movements in the late 1960s cast a wide enough net across the United States that it was bound to reach Seattle eventually. It did so on the date in focus here, when Edwin T. Pratt was shot to death in the doorway of his home on a snowy Sunday night.
Ubiquitous They’s Half Time at the Seattle Creative Arts Center
Our own Kelly Dermody lasted a whole three weeks before breaking her New Year’s resolution…
The Rest is Dullness: Hamlet at Ghost Light Theatricals
Audiences are entitled to play that has been interpreted. Having gone just so far with her “big choice,” Ms. Raas-Berquist fails to go any farther. But a choice is not an interpretation. An interpretation requires that an idea be pursued. Gender-swapping Hamlet is not an idea; it is merely a conceit.
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