Lenin in October has Seattle Jewish Film Festival audiences rolling in the aisles
What could be more fraught with hilarious peril than a scenario in which a man, with lofty dreams of owning his own restaurant, comes into a large inheritance with a stipulation that goes against, if not his own beliefs and ideals, then certainly those of the community around him. Alright, this may not sound so funny, but add some Bolshevik revolution into the equation, and trust me, it’s a knee slapper.
NBC’s Fashion Star Premiere Episode
Tuesday, March 13th brought the premiere of NBC’s new reality show, Fashion Star. Seattle is represented by not one, but two designers on Fashion Star. Lizzie Parker, who sells her line out of her boutique in Kirkland and Lisa Vian Hunter who has a lovely shop in Madison Park.
Printer’s Devil Theater’s Torso: An Unpredictable Yet Simple Fixation
By a stroke of luck, or serendipity, Seattle theatrical landscape is graced with the smart work of its women playwrights, actors and artists. Printer’s Devil’s Torso is a grand addition to those offerings.
Nicky’s Family: The Untold Story of “the British Schindler”
I’d be lying if I said I hadn’t been dreading the inevitability of a Holocaust film coming up on my docket for this year’s Seattle Jewish Film Festival. Having read the synopsis for Nicky’s Family, I was looking forward to the screening in theory but I could not ignore the nagging fear that it was going to be the same old story, different screenwriter. Prior to this year’s SJFF, I hadn’t heard of Sir Nicholas Winton or his harrowing tale of saving hundreds of Czechoslovakians during the days ramping up to World War II. I was unprepared for the impact the film documenting his life would have on me.
Lark Eden at Theater Schmeater: Earnest, Simple, and Touching Drama
John Allis talks about Lark Eden, a simple, straightforward tale told through the letters of three southern women which is being produced now at Theater Schmeater.
BOOST Dance Festival: A Showcase of Seattle’s Diversity
Dancers face the very same challenges as theater groups. Rehearsal space, performance space, support funding and so on. But quite unlike their counterparts in the theater, dancers tend to gather together out of necessity and fix their problems from within. Marlo Martin rose to a challenge in 2010 by starting the BOOST Dance Festival.
Walk
He left all his sticks. Which he should regret because they are his life’s work, but he needed his hands free to open and close doors and be ready to ward off Antoinette if necessary, which was not necessary, and his hands are not hands that are adept at juggling. Instead of regretting his sticks, he is happy he left them.
Friend or Foe? My So-Called Enemy Humanizes the Palestinian-Israeli Conflict
My So-called Enemy is a new documentary that just played at the SJFF that explores if it is possible for teenage girls across the Israeli/Palestine divide to form lasting friendships after spending just nine days together at a camp. Not only is it possible, but also a moving scenario in its complexity.
Mabul at SJFF: Sometimes You Need a Good Flood
Dikla Tuchman talks about Mabul, the opening film at the Seattle Jewish Film Festival.
Hollow Earth Radio and Nonsequitur bring trio improvisation to the Chapel
In improvisation, duos are a sort of conversation. Big bands are something like a game of follow the leader. In a sense, improvising trios are a combination of both. They retain much of the conversational intimacy of a duo through a kind of shared leadership of conversation that rarely if ever occurs in the classic quintet format, or even in the quartet. Many things can happen in trios that would be virtually impossible in another format.
Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution 4.0 International License.